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Papers in Review

Demos, A.P., & Chaffin, C. (in review). How Music Moves Us: Entraining to Musicians’ Movements.

Published Papers

Zamm, A., Palmer, C., Bauerb, A-K.R, Bleichner, M.G., Demos, A.P., & Debener, D. (in press). Synchronizing MIDI and wireless EEG measurements during natural piano performance. Brain Research, advanced online.

Motyl, M., Demos, A. P., Carsel, T. S., Hanson, B. E., Melton, Z. J., Mueller, A. B., Prims, J. P., Sun, J., Washburn, A. N., Wong, K., Yantis, C. A., & Skitka, L. J. (2017). The state of social and personality science: Rotten to the core, not so bad, getting better, or getting worse? Journal of Personality and Social Psychology, 113 (1), 34.

Demos, A.P., Carter, D.J., Wanderley, M.M., & Palmer, C (2017). The unresponsive partner: Roles of social status, auditory feedback, and animacy in coordination of joint music performance. Frontiers in Psychology, 149(8).

Demos A.P., Chaffin, C., & Logan, T. (2017). Musician’s body movements embody musical structure and expression: A dynamical systems approach. Musicae Scientiae, advanced online.

Demos, A.P., Lisboa, T, & Chaffin, R. (2016). Flexibility of Expressive Timing in Repeated Musical Performances. Frontiers in Psychology, 1490(7).

Demos, A.P., & Chaffin, R., & Kant, V. (2014). Towards a dynamical systems theory of music performance.. Frontiers in Psychology, 477(5).

Lisboa, T., Chaffin, R. & Demos, A.P. (2014). Recording thoughts while memorizing music: a case study. Frontiers in Psychology, 1561(5).

Demos, A.P., Chaffin, R., Begosh, K. T., Daniels, J. R., & Marsh, K. L. (2012). Rocking to the beat: Effects of music and partner’s movements on spontaneous interpersonal coordination. Journal of Experimental Psychology: General, 141(1), 49-53.

Ginsborg, J., Chaffin, R., & Demos, A.P. (2012). Different roles for prepared and spontaneous thoughts: A practice-based study of musical performance from memory. Journal of International Music Studies, 6, 201-231.

Book Chapters

Demos, A.P., & Chaffin, R. (2017). Removing obstacles to the analysis of movement in musical performance: Recurrence, mixed models, and surrogates. In M. Lesaffre, P-J. Maes & M. Leman (Eds). The Routledge Companion to Embodied Music Interaction. Routledge, New York, NY.

Chaffin, R., Demos, A.P., & Logan, T. (2016). Performing from memory. In S. Hallam, I. Cross, & M. Thaut (Eds.), The Oxford Handbook of Music Psychology, 2nd Ed., (pp. 359-371). Oxford: Oxford University Press.

Demos, A.P., & Chaffin, R. (2014). Body movements. In W. Thompson (Ed.), Music in the social and behavioral sciences: An encyclopedia. (Vol. 2, pp. 145-148). Thousand Oaks, CA: SAGE Publications, Inc.

Technical Reports & Reviews

Chaffin, R., & Demos, A.P. (2012). Review of ‘Psychology of music: From sound to significance’. Psychomusicology: Music, Mind, and Brain, 22(1), 55-56.

Roth, J., Somma, R., Greenberg, S. & Demos, A.P. (2006). Developing and Implementing a Certification Program to Drive Change in the Pharmaceutical Industry. Pharmaceutical Engineering, May/June 2006.