Publications

Peer Reviewed Publications

Demos, A.P., Carter, D.J., Wanderley, M.M., & Palmer, C (2017). The unresponsive partner: Roles of social status, auditory feedback, and animacy in coordination of joint music performance. Frontiers in Psychology, 8:149. doi:10.3389/fpsyg.2017.00149.

 Demos A.P., Chaffin, C., & Logan, T. (2017). Musician’s body movements embody musical structure and expression: A dynamical systems approach. Musicae Scientiae, advanced online.

Demos, A.P., Lisboa, T, & Chaffin, R. (2016).  Flexibility of Expressive Timing in Repeated Musical Performances. Frontiers in Psychology, 1490(7).    

Demos, A.P., & Chaffin, R., & Kant, V. (2014). Towards a Dynamical Systems Theory of Music Performance. Frontiers in Psychology, 477(5).

Demos, A.P., Chaffin, R., Begosh, K. T., Daniels, J. R., & Marsh, K. L. (2012). Rocking to the beat: Effects of music and partner’s movements on spontaneous interpersonal coordination. Journal of Experimental Psychology: General, 141(1), 49-53.

Ginsborg, J., Chaffin, R., & Demos, A.P.  (2014). Different roles for prepared and spontaneous thoughts: A practice-based study of musical performance from memory. Journal of International Music Studies, 6, 201-231.

Lisboa, T., Chaffin, R. & Demos, A.P. (2014). Preparing memorised performance: The transition between childhood and professionalism. Frontiers in Psychology, 1561(5).

Book Chapters

Demos, A.P., & Chaffin, R. (in press).  Removing obstacles to the analysis of movement in musical performance: Recurrence, mixed models, and surrogates. In M. Lesaffre, P-J. Maes & M. Leman (Eds). The Routledge Companion to Embodied Music Interaction. Routledge, New York, NY.

Chaffin, R., Demos, A.P., & Logan, T. (2015).  Performing from memory.  In S. Hallam, I. Cross, & M. Thaut (Eds.), The Oxford Handbook of Music Psychology (2nd). Oxford: Oxford University Press.

Demos, A.P., & Chaffin, R. (2014). Body movements. In W. Thompson (Ed.), Music in the social and behavioral sciences: An encyclopedia. (Vol. 2, pp. 145-148). Thousand Oaks, CA: SAGE Publications, Inc. doi: http://dx.doi.org/10.4135/9781452283012.n51

Conference Proceedings

Chaffin, C., Gerling, C., Demos, A.P., & Melms, A. (2013). Theory and practice: A case study of how Schenkerian analysis shaped the learning of  Chopin’s Barcarolle. In by A. Williamon, D. Edwards, &  W. Goebl (Eds.), Proceedings of the International Symposium on Performance Science 2013. Brussels, Belgium. European Association of Conservatoires.

Ginsborg, J., Chaffin, C., Demos, A. P., & Nicholson, G. (2013). Reconstructing Schoenberg: Rehearsing and performing together. In by A. Williamon, D. Edwards, &  W. Goebl (Eds.), Proceedings of the International Symposium on Performance Science 2013. Brussels, Belgium. European Association of Conservatoires.

 Lisboa, T., Chaffin, C., Demos, A.P., & Gerling, C. (2013). Flexibility in the use of shared and individual performance cues in duo performance. In by A. Williamon, D. Edwards, & W. Goebl (Eds.), Proceedings of the International Symposium on Performance Science 2013. Brussels, Belgium. European Association of Conservatoires.

Lisboa, T., Chaffin, C., & Demos, A.P. (2013). Recording thoughts as an aid to memorization: A case study. In by A. Williamon, D. Edwards, &  W. Goebl (Eds.), Proceedings of the International Symposium on Performance Science 2013. Brussels, Belgium. European Association of Conservatoires.

Lisboa, T., Chaffin, R., Demos, A.P., & Aufegger, L.  (2012). Preparing memorised performance: The transition between childhood and expertise. In by J. Weller, Proceedings of the 19th International Seminar of the Commission for the Education of the Professional Musician (CEPROM). Athens, Greece.  

Demos, A.P., Frank, T., & Chaffin, R. (2011). Understanding movement during performance: A recurrence quantization approach. In by A. Williamon, D. Edwards, &  L. Bartel (Eds.), Proceedings of the International Symposium on Performance Science 2011. Utrecht, The Netherlands. European Association of Conservatoires.

Shaw, A., Demos, A.P., Arthur, D., & Magnuson, J.S. (2011). Individual differences and lexical learning: Links to memory for faces, things and words. In L. Carlson, C. Hoelscher, & T.F. Shipley (Eds.), Proceedings of the 33rd Annual Conference of the Cognitive Science Society (pp. 3343-3348). Austin, TX: Cognitive Science Society.

Demos, A.P., Chaffin, R. & Marsh, K.L. (2010). Spontaneous vs intentional entrainment to a musical beat. In Proceedings of the 11th International Society for Music Perception and Cognition. Adelaide, Australia: Casual Productions.

Chaffin, R., Demos, A.P., & Crawford, M. (2009). The PC-survey: How does the use of performance cues vary across musicians, instruments, musical styles, and performances? In Proceedings of the International Symposium on Performance Science 2009 (pp. 57-62).  Utrecht, The Netherlands: European Association of Conservatoires.

Chaffin, R., Demos, A.P., & Crawford, M. (2009). Sources of variation in musicians’ use of performance cues. In Proceedings of the 2nd International Conference on Music Communication Science (pp. 109 – 112). University of Western Sydney: HCSNet

Aiello, R., Aaronson, D., & Demos, A.P. (2006). Individual Differences in Music Perception. In: M. Baroni, A. R. Addessi, R. Caterina, M. Costa (Eds.), Proceedings of the 9th International Conference on Music Perception & Cognition  (pp.1226-1232). Bologna, Italy.

Aiello, R., Aaronson, D., & Demos, A.P. (2004).  Musicians’ Perceptions of Musical Boundaries.  In S.D. Lipscomb, R. Ashley, R.O. Gjerdingen, & Webser (Eds.), Proceedings of the 8th International Society for Music Perception and Cognition (pp.681-685).  Adelaide, Australia: Casual Productions.

Aiello, R., Aaronson, D., & Demos, A.P. (2003). What is Salient When You Listen? An evaluation of Musicians’ Responses. In Proceedings of Society for Music Perception and Cognition 2003.  Nevada USA.

 Conference Presentations

Demos, A.P., Laeghi, H., & Palmer, C. (2016, November). A mutual adaptation model of joint action in music performance. 14th Auditory, Perception, Cognition, and Action Meeting (APCAM),

 Zamm, A., Palmer, C., Bauer, A.K., Bleichner, M.G., Demos, A.P., Debener, S. (2016, November). Behavioral and electrophysiological bases of interpersonal synchrony during joint music performance.  Meeting of the Psychonomic Society, Boston, Massachusetts, USA.

Demos, A.P., Chaffin, R., & Logan, T. (2016, July). Bobbing, Weaving, and Gyrating: Musician’s Sway Reflects Musical Structure. The 14th International Conference on Music Perception and Cognition (ICMPC). San Francisco, CA.

Chaffin, R., & Demos, A.P. (2016, July). Effects of performance cues on expressive timing. The 14th International Conference on Music Perception and Cognition (ICMPC). San Francisco, CA.

Lisboa, T., Demos, A.P., Begosh, K., & Chaffin, R., (2016, July). How Music Moves Us: Entraining to Musicians’ Movements. The 14th International Conference on Music Perception and Cognition (ICMPC). San Francisco, CA.

Ginsborg, J., Chaffin, R., Demos, A.P., & Dixon, J., (2016, July). Musical structure as a hierarchical retrieval organization: Serial position effects in memory for performed music. The 14th International Conference on Music Perception and Cognition (ICMPC). San Francisco, CA.

Schultz, B.G., Demos, A.P., & Schutz, M. (2016, July). The Wave Transformation: A method for analyzing spontaneous coordination from discretely generated data.  The 14th International Conference on Music Perception and Cognition (ICMPC). San Francisco, CA.

Zamm, A., Palmer, C., Bauer, A-K R., Bleichner, M. G., Demos, A.P., & Stefan, D. (2016, April). Neural correlates of endogenous rhythms in performing musicians.  23st  Cognitive Neuroscience Society (CNS), New York, NY.

Demos, A.P., Del Tufo, S., Marsh, K.L., & Theodore, R. & Chaffin, R. (2015, November). Intentional and Spontaneous Interpersonal Synchronization in Dyslexia. 12th Auditory, Perception, Cognition, and Action Meeting (APCAM), Toronto, CA.

Demos, A.P., Wanderley, M.M., & Palmer, C. (2015, November). Auditory Feedback Perturbations Disrupt Synchrony in Ensemble Music Performance. The Psychonomic Society Annual Meeting, Chicago, IL.

Zamm, A., Palmer, C, Bauer, A-K.R, Bleichner, M. G., Demos A.P., & Debener, S. (2015, October). Neural correlates of endogenous rhythms during music performance. Tenth anniversary symposium of the international laboratory for Brain, Music, and Sound Research. Montreal, Canada.

Lisboa, L., Demos, A.P, & Chaffin, R. (2015, August). Spontaneity in performance: Effects of thinking on expressive variation in tempo. International Symposium on Performance Science 2015. Kyoto, Japan.

Demos, A.P., Wanderley, M.M., & Palmer, C. (2015, March). Auditory Feedback Perturbations Disrupt Solo and Joint Piano Performance. New England Sequencing and Timing (NEST). Amherst, MA.

 Demos, A.P., Palmer, C., Wanderley, M.M., & Dixon, R. (2014, July). Auditory Feedback Perturbations Affect Duet Music Performance. 24th  Canadian Society for Brain, Behaviour and Cognitive Science (CSBBCS). Toronto, CA.

Demos, A.P., Del Tufo, S., Chaffin, C., Marsh, K.L., & Theodore, R. (2014, April). Spontaneous Interpersonal Synchronization in Dyslexia. 21st   Cognitive Neuroscience Society (CNS), Boston, MA.

Alfred, K, Demos, A.P., Chaffin, C., Marsh, K.L., (2014, March). Individual Differences in Intentional Rhythmic Synchrony. Eastern Psychological Association (EPA), Boston, MA.

Demos. A.P., & Chaffin, R. (2013, November). The Perception of Trombonist Movement through Musical Sound.  12th Auditory, Perception, Cognition, and Action Meeting (APCAM), Toronto, CA.

Chaffin, R., Demos. A.P., Alfred, K. & Marsh, K.L. (2013, November). Predicting Auditory Interpersonal Synchrony through Synchrony to Music.  12th Auditory, Perception, Cognition, and Action Meeting (APCAM), Toronto, CA.

Ginsborg, J., Chaffin, R., Demos, A. P., & Nicholson, G. (2013, April). Different roles for prepared and spontaneous thoughts: A practice-based study of performance from memory.  2nd Performance Studies Network Conference (CMPCP), Cambridge, UK.

Ginsborg, J., Chaffin, R., Demos, A. P., & Nicholson, G. (2013, March). Practice-based research in and on practice: The development of performance cues. CARPA 3: The Impact of Practice as Research. Theatre Academy, Helsinki, Finland.

Demos, A.P., Chaffin, R., & Marsh, K.L. (2012, November). Self-Organization of Spontaneous Synchronization while “Maraca-ing”. Poster presented at the Psychonomic Society Annual Meeting, Minneapolis, MN.

Chaffin, R., Demos, A.P., Kant, V., & Lisboa, T. (2012, November). “It’s Different Every Time”: Stability of Expressive Timing in Repeated Music Performance. Paper presented at the Psychonomic Society Annual Meeting, Minneapolis, MN.

Shaw, A., Demos, A.P., Arthur, D., & Magnuson, J.S. (2012, November). Individual Differences in Lexical Quality of Newly Learned Words. Poster presented at the Psychonomic Society Annual Meeting, Minneapolis, MN.

Marsh, K.L., Demos, A.P., Chaffin, R. (2012, June). Moving to the Beat: Spontaneous and Intentional Coordination while Maraca-ing. European Workshop on Ecological Psychology (EWEP), Madrid, Spain.

Ginsborg, J., Chaffin, R., & Demos, A. P. (2011, September). Preparation and spontaneity in performance: Effects on subsequent recall. Conference on Interdisciplinary Musicology (CIM11), Glasgow, Scotland.

Demos, A.P., Frank, T., & Logan, T. (2011, August). Movement during Performance: A Hunt for Musical Structure in Postural Sway. Poster presented at the Society for Music Perception and Cognition (SMPC), Rochester, NY.

Lisboa, T, Demos, A.P., Chaffin, R., Begosh, K.T. (2011, August). The development of interpretation during practice and public performance: A case study. Paper presented at the Society for Music Perception and Cognition (SMPC), Rochester, NY.

Demos, A.P., Chaffin, R. & Marsh, K.L. (2010, May). Differences between spontaneous and intentional entrainment to a musical beat. Poster presented at the Association for Psychological Science, Boston MA.

Demos, A.P., Chaffin, R., Lewis, A., Begosh, K.T., Daniels, J. (2009, August). Rocking in Synch: Effects of music on interpersonal coordination. Poster presented at the Society for Music Perception and Cognition (SMPC), Indianapolis.

Demos, A.P., Chaffin, R. (2009, August). A Software Tool for Studying Music Practice: SYMP (Study Your Music Practice). Poster presented at the European Society for the Cognition Sciences of Music (ESCOM), University of Jyväskylä, Finland.

 Demos, A.P., Aaronson, D. & Aiello, R. (2008, July). Musicians’ cognitive processing strategies.  Paper presented at the 2nd International Conference on Psychology, Athens, Greece, July 13, 2008.

Aaronson, D., Demos, A.P., & Aiello, R.  (2007, March)  Cognitive Processing Strategies for Music and Language: Some Individual Differences. Poster session at the Eastern Psychological Association, March 2007.           

Demos, A.P. (2005, April). Transitioning from Paper- to Web-Based Surveys.  Poster presented at the NYU Graduate School of Arts and Sciences Research Conference, New York, NY.